Luigi: The Making and the Meaning by John H Richardson – Sympathy for a Devil?

On December 5, 2024, a leading publication published the headline “Insurance CEO Shot Dead In Manhattan”. The article went on to state that Brian Thompson was “shot in the back in Midtown Manhattan by a assailant who then calmly departed the scene”. The daytime killing was truly chilling and disturbing. But numerous US citizens had a different response: for those who faced insurance rejections or struggled with medical bills, the news felt like a release. Online platforms erupted. One comment read: “All jokes aside … no one here is the judge of who deserves to live or die. That’s the job of the artificial intelligence system the insurance company designed to maximize profits on your health.”

Less than a week after, Luigi Mangione, a handsome, 26-year-old University of Pennsylvania graduate with a graduate degree in computing, was arrested at a fast-food restaurant in Altoona, Pennsylvania. He awaits trial on criminal counts of murder, with the district attorney seeking the death penalty. So what is his background? And what might have motivated the accused offense? These are the questions John H Richardson attempts to answer in an inquiry that explores broader themes, too.

Understanding the Person

A journalist for Esquire magazine, Richardson spent years researching the groups that exist in the hidden parts of the internet, producing articles about people “plagued by genuine concerns about an end-times scenario”. To uncover “the making” of his subject, Richardson first examines Mangione’s extensive reading. We learn that “[when] he was arrested, Luigi had a list of nearly three hundred titles on Goodreads”. Their subject matter ranged from climate change to masculinity, along with a “emphasis on his own personal growth, both physical and mental”. Additionally, Richardson analyzes his correspondence with influencers and authors as well as his many updates on social media. These original materials, meant to paint a portrait of Mangione, instead render him an unclear character. Richardson attempts to explain this by suggesting that “Luigi’s mystery, in fact, is what gives him a little of that old trickster magic”. Throughout the book, Richardson tries to frame his subject in archetypal terms.

Mangione is deeply anxious about the world around him, one where ‘change is rapid whether we like it or not’

The Meaning Behind the Crime

As for “the meaning” of the title, Richardson takes as his lead three words – “postpone”, “deny” and “remove”, etched on the bullets left behind at the crime scene. These are the phrases sometimes used by health insurance companies to reject claims. He looks at the indication Mangione suffered from a long-term spinal issue, which might have provided motive for an attack, but discovers no confirmation; instead, what significance there is seems to lie in Mangione’s existential anxiety about the world around him, one where “the pace is quickening whether we like it or not, sliding faster and faster to the edge”; a world where the general belief seems to be that AI is going to ultimately either dominate, or eliminate humanity, or both.

Gaps in the Narrative

Notably missing from the book are conversations with the principal actors. Richardson made requests, but did not anticipate time with Mangione himself. And his relatives made it clear that they had decided against speaking to the press in advance of the trial. Another glaring gap is any detailed data about the victim, Thompson, though we learn that under his guidance, from 2021 to 2023, UHC profits increased by 33%.

Unclear Conclusions

By the conclusion, the audience has no clear understanding of Mangione’s personality or what might have motivated his alleged crimes. Worse still, Richardson’s obvious sympathy for him gives the reader the disturbing feeling of having been exposed to a subtle approval of an assassination. In the book’s final lines, Richardson presents his fairytale assessment: “We’ve entered a time of fables, the insane ruler, the beast in the labyrinth and the emperor without clothes.” In that fable “Robin Hoods come with a appealing vow … They arrive in periods of unrest, when the people are suffering and everything is confusing anymore.”

One thing is certain: as Mangione’s defence team works to have charges that could lead to the death penalty dismissed, any reference of myths, folk heroes, heroes or villains will not be allowed in court in defence of this attractive individual with a “jawline … and lips … out of a Caravaggio painting” soon to be on trial for murder.

Ashley Chambers
Ashley Chambers

A seasoned betting enthusiast and analyst with over a decade of experience in the online gaming industry, sharing insights and tips.